Though he cut his teeth on the sidewalks of New York City where he grew up, he has since made significant bodies of work in Haiti, Japan, Moscow, France, Ireland and India. He just thought I was a white kid that could be persuaded easily to hand over  my camera. In 2015, Gilden published Face, and Hey Mister Throw Me Some Beads! That’s what counts, so if they have to move five feet, I’ll ask them to move. The pre-Lenten release offers a … It was 1969 and he’d only picked up his first camera a year earlier. Tom Seymour. So a day at the beach was great. Oct 31, 2016 - Explore semeramorta lancun's board "PHoTo - Bruce Gilden", followed by 983 people on Pinterest. I did a few portraits, okay, but other than those few all the shots are candid. It was 1969 and he’d only picked up his first camera a year earlier. But I’m not of the ilk that you can’t ask somebody to move, because to me, I’m about getting a good photograph. He joined Magnum Photos in 1998. 45K likes. Back then, Coney Island – 10 miles from Manhattan, on the southern tip of Brooklyn – was already well past its 1890s heyday as the summer destination for New Yorkers, enticed by its long beach and amusement attractions like the Wonder Wheel and Cyclone rollercoaster. When Gilden was there – from the late 1960s to the late 1980s – it was more seedy, more tired, partly because of competition with other Long Island beaches, but also as the result of a series of fires, and the fact that people with money could now fly to more exotic locations. His new book Un Nouveau Regard Sur la Mobilité Urbaine featuring the commission he did for the French transporation system RATP was released in April 2016. Whether these characters jostle for space in the frame or appear individually, the photos themselves display a sure-footed confidence that has since come to define what we think of as ‘a Gilden picture’ – fearless, in-your-face, often humorous. Mon 28 Jan 2019 01.00 EST. Bruce Gilden opens up about the pursuit of a good portrait and his ‘lifetime project’ of New York, as his agency Magnum Photos launches its first ever online educational platform exploring street photography. People have this weird respect for me: I’m very honest, I’m not playing a game where I’m trying to be 40 feet away and sneaking a picture. This is the first Ask Magnum interview and Bruce’s answers are candid and a little rambling but definitely worth a listen. It was hard walking in the sand, and I would do two full trips: Coney Island, Brighton Beach, back to Coney Island, and back to Brighton. I’m not sad about it, but I do wish that there were more people around that I was interested in photographing. One time when I was very young shooting there, a black guy put his hand on my wrist and said, Give me your camera! The first time Bruce Gilden went to shoot pictures at Coney Island, he hitchhiked there from his home in Corona, Queens, because his car had been stolen. I’d usually get there around one o’clock. Gilden worked on the series for a couple of years in the United States, the United Kingdom, and Colombia and was inspired to … How did shooting the beach compare with the streets of New York City? Because to take the pictures I take, you have to be tough. 3.9m Followers, 174 Following, 7,333 Posts - See Instagram photos and videos from Magnum Photos (@magnumphotos) Because I’m still getting back at my father. Most photographers haven’t been as lucky as me. On the day of the Leica Magnum Paris event, I had the huge pleasure of meeting Bruce Gilden. He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow.Gilden has been a member of Magnum Photos since 1998. I don’t photograph where I’m not comfortable. Advertisement. Last modified on Thu 26 Mar 2020 10.29 EDT. So it doesn’t test your athleticism as much. A Legendary street photographer searches for the soul of AMERICA AT STATE FAIRS Photographs by Bruce Gilden—Magnum Photos | Text by Paul Moakley Nathan, Iowa State Fair, 2017. How have you seen Coney Island change over the years? Already the recipient of numerous grants and awards (among them three National Endowment for the Arts and a Japan Foundation Fellowship) in 2013, Bruce Gilden became the recipient of a Guggenheim Fellowship. But I haven’t had that many altercations for somebody who’s done what I’ve done for so long and photographed where I have. It’s an uninterrupted stretch of beach. That would have been because people were drunk, so that could happen, but I don’t think people change [when they go there]. For me, you could take a staged picture and it could look like you didn’t stage it, and you could take a candid shot that looks staged. And I’m about as streetwise as they come. Bruce Gilden is one of the most iconic street photographers of our time. He wasn’t in a gang. How does that help you in your practice? With powerful individual vision, Magnum photographers chronicle the world and interpret its peoples, events, issues and personalities. Magnum solicited questions for Bruce Gilden from Facebook and Twitter then sat down with him at the kitchen table in the Magnum offices in New York to hear his answers. They were suffocating in the city. Your blanket was up against someone else’s. Did you direct many people like that? And when I was in Coney Island it was never as crowded as it had been in the 30s, 40s, 50s, because in those days people didn’t travel as much, so since they didn’t travel they were really looking forward to a weekend at the beach. That doesn’t mean somebody can’t do an okay essay on the place, because you can still find some characters there. Betty, West Bromwich,England, courtesy Bruce Gilden/Magnum Photos from 'Face', Dewi Lewis Publishing. "I'm known for taking pictures very close, and the older I get, the closer I get." It’s never changed. What’s remarkable about this project is that, one year into your career, your voice as a photographer was already there, loud and clear. In Coney Island, if I saw somebody that I thought would  make a very good portrait, I’d ask “Can you stand over here?”, that’s it. Known for his graphic and often confrontational close-ups made using flash, his images have a degree of intimacy and directness that have become a signature in his work. What is it about beach areas like this that attract so many eccentrics? Bruce Gilden joined Magnum Photos in 1998. And I am. "I'm known for taking pictures very close, and the older I get, the closer I get." Bruce Gilden got on with Texas, a sex worker, immediately. That doesn’t mean I’m the toughest guy on the street, but I’m tough and I know how to react. 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