Feel free to contribute! In October 1939, he successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". The singers or lead … A 1989 live album celebrated his 50th year on the Grand Ole Opry. and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe, Haggard, Cash, Young He played with Bill Monroe, Merle Haggard, Johnny Cash and Faron Young. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. Maybe the song they were playing came from the repertoire of the Grateful Dead. Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Bill Monroe, byname of William Smith Monroe, (born Sept. 13, 1911, Rosine, Ky., U.S.—died Sept. 9, 1996, Springfield, near Nashville, Tenn.), American singer, songwriter, and mandolin player who invented the bluegrass style of country music.. Monroe gave his blessing to Presley's rock-and-roll cover of the song, originally a slow ballad in waltz time, and in fact re-recorded it himself with a faster arrangement after Presley's version became a hit. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. They were playing Bill Monroe’s music. Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe: Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe - Live At Mechanics Hall ‎ (HDCD, Album) Acoustic Disc Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. The guitarist has little opportunity for inserting much lead playing into Bluegrass songs when playing rhythm, but there are places where there are opportunities for short licks. This band recorded a number of bluegrass classics, including "My Little Georgia Rose", "On and On", "Memories of Mother and Dad", and "Uncle Pen", as well as instrumentals such as "Roanoke", "Big Mon", "Stoney Lonesome", "Get Up John" and the mandolin feature "Raw Hide". BOBBY HICKS From the “banjo State” of North Carolina, Hicks was with Bill Monroe from 1954-57. Charlie Cline played fiddle banjo, guitar and probably bass. Larry Beasley - At least at the Stanley Festival in McClure VA, May 1974, also 1/77 - 6/77?) He recalled that his brothers insisted he should remove four of the mandolin's eight strings so he would not play too loudly.Monroe's mother died when he was ten, followed by his father six years later. Bobby Osborne tells his Bill Monroe #mandolin pickup story when he played at the Ryman Auditorium for Glen Duncan #bluegrassmusic #bluegrass One thing we’re blessed to have at #monroemandolincamp is the stories from folks who knew and played with #billmonroe personally. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. But it was the group, formed in 1946—Lester Flatt (guitar), Earl Scruggs (banjo), Cedric Rainwater (bass), Chubby Wise (fiddle), with Monroe playing mandolin—that defined the classic bluegrass quintet. Leave feedback. Bill Monroe had a hard time keeping musicians in his in band for very long. He also played on one recording session as a Blue Grass Boy, laying down eight tracks in February 1945. Bill Monroe was made an honorary Kentucky colonel in 1966. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. Inside are cherished family belongings, early 20th century-vintage furnishings, and rare photographs of Bill Monroe and two brothers who also played music professionally, Birch Monroe and Charlie Monroe. Over the years, Monroe 's band hosted all of the major bluegrass artists of the '50s and '60s, including Flatt & Scruggs, Reno & Smiley, Vassar Clements, Carter Stanley, and Mac Wiseman. Monroe also regularly performed with flat-picking guitar virtuoso Doc Watson.Modern bluegrass singer and mandolin player Ricky Skaggs was influenced by Monroe. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. Wilene "Sally Ann" Forrester (accordion - 1943-3/1946) Publicity photo circa 1944. Kenneth Clayton Baker (June 26, 1926 – July 8, 2011) was an American fiddle player best known for his 25-year tenure with Bill Monroe and his group The Blue Grass Boys. I’m not sure how you follow that. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. Crowe and the New South before starting his own band Kentucky Thunder. Uncle Pen has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones." Guitarists included none other than Jimmy Martin from 1950-1954, then Carter Stanley (briefly) before Eddie Mayfield, Jackie Phelps, and Doug Kershaw signed on. He also played for Emmylou Harris and J.D. He always considered himself the father and caretaker of bluegrass. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances.In 1967 Monroe himself founded an annual bluegrass festival at Bean Blossom in southern Indiana, a park he had purchased in 1951, which routinely attracted a crowd of thousands; a double LP from the festival featuring Monroe, Jimmy Martin, Lester Flatt, and Jim and Jesse was released in 1973. Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when the Stanley Brothers had temporarily disbanded.On January 16, 1953 Monroe was critically injured in a two-car wreck. He would often say of new bands that did not perform to his standards, "That ain't no part of nothin'." Bill Monroe (September 13, 1911 – September 9, 1996) developed the style of country music known as bluegrass, which takes its name from his band, the "Blue Grass Boys," named for his home state of Kentucky. It's Methodist and Holiness and Baptist. He is often referred to as The Father of Bluegrass. Maybe the mandolin player was influenced more by Sam Bush. On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Find album reviews, stream songs, credits and award information for Bluegrass 1950-1958 - Bill Monroe on AllMusic ... are the musicians who played with Monroe during those very fertile and adventurous years. He was so influential: I think he's probably the only musician that had a whole style of music named after his band". One such performance includes Alison Brown playing Earl Scruggs’s 1930 Gibson RB-Granada banjo, Ricky Skaggs playing Bill Monroe’s 1923 Gibson F-5 mandolin, and Marty Stuart playing Lester Flatt’s 1950 Martin D-28 guitar. He recalled that his brothers insisted he … During this period, Bill had some incredible musicians with him. The last-named was recorded by Elvis Presley in 1954, appearing as the B-side of his first single for Sun Records. They scored an immediate hit single with the gospel song "What Would You Give In Exchange For Your Soul?" Bill Monroe. Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. In 1939 he joined the Grand Ole Opry and was a member until his death in 1996. “Bill Monroe Mandolin Vandalized” was the headline in the country music community. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. He was inducted into the Country Music Hall of Fame in 1970, the Nashville Songwriters Hall of Fame in 1971, and the Rock and Roll Hall of Fame (as an "early influence") in 1997. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Artist descriptions on Last.fm are editable by everyone. Bill Monroe and his Bluegrass Boys on Johnny Cash TV Show performing "Blue Moon of Kentucky" Bill was of Scottish and English heritage. In 1949, after signing with Decca Records, Monroe quickly regrouped, entering the "golden age" of his career with what many consider the classic "high lonesome" version of the Blue Grass Boys, featuring the lead vocals and rhythm guitar of Jimmy Martin, the banjo of Rudy Lyle (replacing Don Reno), and fiddlers such as Merle "Red" Taylor, Charlie Cline, Bobby Hicks and Vassar Clements. Bill was of Scottish heritage. The genre takes its name from his band, the "Blue Grass Boys", named for Monroe's home state of Kentucky. Bobby Hicks mainly played fiddle but also played banjo as well as bass. William Smith Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Skaggs was only six years old when he first got to perform on stage with Monroe and his band. It's blues and jazz, and it has a high lonesome sound." As a singer, songwriter, bandleader, showman, and instrumentalist, no individual is so closely identified with an American musical style as Bill Monroe, the Father of Bluegrass Music. The NPR 100 The Story Of 'Foggy Mountain Breakdown' Scruggs played in Bill Monroe 's Blue Grass Boys band, and later led Flatt & Scruggs with guitarist Lester Flatt. 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